Tv drama

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Tuesday 6th December 2022

To explore the narrative theme and characters in set episode



Homeland

After watching, explain how the following are established:
Main Narrative quest/conflict set up:
how is the main narrative introduced and what sets up the initial conflict/problem that will drive the rest of the series?

Enigma Codes:
What questions are created that the audience will want to discover the answer to and will have to keep watching to find out?

Individual character narratives:
(separate to main narrative) How are these set up/introduced and what are they? 



Characters
- Mike- Best friend of Brody/Love interest of Jess, traditional representation, beer/football games. helped Jess around the house 
- Brody- returning hero/terrorist- family man, soldier, white, male. Middle class, heterosexual 
- Jess- Brody's wife/Mike's love interest, mum, housewife, attractive, sexual object 
- Carrie- protagonist, CIA agent, female, strong career, disliked, confrontational, driven and focused but lacks compassion, hyper fixated on doing the right thing, mental health issues
- Saul- Her mentor, her confidant, reliable, sensible, in control, only one with faith in Carrie 
- David- deputy Director of the CIA, criticises carrie a lot, relationship with her, Political in his moves 
- Abut Nasir- Main antagonist  

Narrative: 
Why did Brody kill Tom Walker and why is he lying about it?
Why was he focused on the Whitehouse?
Why is he lying about meeting Abu Nasir ?
Why did he lie to his wife?
What is the attack?
Will Carrie find him out?
Will Carrie get sent to prison?


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Tuesday 13th December 2022
To explore the narrative theme and characters in set episode


- Narratology is the study of narrative; in this case, of narrative structure-> how the parts fir together to make a whole 
- All narrative can be seen as move from one state of equilibrium (where nothing need occur) to another, new equilibrium is what drives the narrative towards a new equilibrium
- The movement from initial equilibrium to the new equilibrium entails a transformation (e.g. the hero expresses their heroism and defeats the villain)-> this transformation expresses what the narrative values 
- narrative=Story


Narratology theory from Todorov
Usefulness:
- Todorov's theory is sufficiently simple to widely applicable, meaning that it is possible to identify the key elements- equilibrium (often implied) and disruption- in long form television drama. 
- Todrov's theory is very useful in teasing out the messages and values underlying a narrative, in pointing to the significance of the transformation between the initial equilibrium (displayed or implied) and the new equilibrium.

Stages in narrative
Equilibrium- working at the CIA no threat to security- power with the East as US don't suspect. Carrie- is unstable, not a trustworthy character. 
Disruption- Brody's release/discovery initiates the suspicion in Carrie 
Recognition of disruption- Confides in Saul- positions men as higher in power than women. 
Attempt to resolve- spies illegally on him- positions her as unstable, crazy, not trusted, not reliable.
New equilibrium- no as it is a TV series

Genre theory: Neale
Genre theory is about what genres are, and about how and why they are created, change endure or decline.
Neale argues that genre is a process by which generic codes and conventions are shared by producers and audiences through repetition in media products.
This means that genres are not fixed, but constantly evolve with each new addition to generic corpus (the body products of genre), often playing with genre codes and conventions or becoming hybrids with other genres.
Generic codes and conventions are not just established in media products but in products that refer to these products such as critical writings or advertising and marketing material, what neale referred to as 'the intertextual relay'.
Usefulness:
- Was developed primarily to explain film genre, but can be applied to LFTVD as this is the most filmic form of television output, requiring an intertextual relay of pre-publicity and reviews to generate the large audience required.
- Draws attention to processes of difference-within- repetition and hybridity in LFTVD.
- The theory of the shared code can be applied to the long form television drama itself as a form- early versions of the form such as Twin Peaks established audience expectations of twisting and enigmatic narratives that have been developed through each addition to the generic corpus- despite the fact that these dramas range across various different genres. 
Limitations:
Many LFTVDs have resources to rely on elements such as high production values, the star system, tone and exoticism rather than genre to market themselves, emphasising individual difference rather than generic similarity. 



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Tuesday 13th December 2022
Homeland: Industry and context


Genre and Homeland
Thriller/espionage/ drama- hybrid of genres, uses codes and conventions from all 3 genres
as genres more popular over recent years, as a result of 9/11 the spies 

Context
Historical: How LFTVD are influenced through historical contexts through intertextual refrences. Societal influences and significant social historical events such as 9/11. Reflects a period of time when the US feared terrorism and national security was a priority. 
Economic: How LFTVD reflect their economic contexts through production, financial and technological opportunities and constraints. Budget size, commercial vs public service, marketing distribution and use of stars in productions. Ownership and budgets.
Political: How LFTVD can facilitate political developments through media language and messages created for events or issues. Political perspective in homeland is that of the US and biased, representations of national identity vs global perspective. Ideology constructed in LFTVD of different values.
Social: How the audience consume and interpret the the LFTVD. How does Homeland influence the views of society on politics, gender and crime. Demographics of consumption, intertextuality of texts, hybrid genres, multiple narratives, creation of meaning via media language. Reinforces social institutions such as family, community, society and culture. Homeland reinforces these as important through the fighting to save them for US.
Cultural: How LFTVD affects audience consumption of cultural values. Which cultural values are evident in Homeland? Nationalism, patriarchy, family. Cultural identities that are formed for groups of people, religion, gender, race age, national identity. How the audience are positioned to receive and interpret the representations.

Task:
More than 20 years ago, on September 11, 2001, the worst terrorist attacks in US history took place. Several terrorists hijacked four planes while they were in the air. With two of these planes, they intentionally flew into two large office towers, the World Trade Center, in New York. The towers collapsed shortly thereafter. These attacks were so bad that they still have repercussions around the world today. 
The attacks of September 11, 2001 also caused many things to change around the world. The attacks have had consequences for many people worldwide to this day. But also the film industry got changed through this event. The film industry with spies and therrorism had a whole new point of view from the audience. the demand got bigger. 


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Thursday 5th of January 2023
Homework



The use of Neal's theory is to explain different genres of video material. If a production has a very specific target audience, they look at the genre they need for the target audience. For example, attention must be paid to time of the show, lead roles, storyline, etc. 
Typical dramas of the characteristics are action, sometimes complex plots, a tragedy, a good and bad side. 
However, series often deviate from their own genre to become more significant. This makes it harder to figure out the genre in analyses. 



Theory summary

Homeland application

Levi-Strauss

Structuralism is the study of the hidden rules that govern a structure. 

Levi-Strauss thought that the human mind could be investigated by studying the fundamental structure underlying myths and fables from around the world (which he saw as one unitary system). He developed the idea of the ‘binary opposition’ – that the system of myths and fables was ruled by a structure of opposing terms, e.g. hot-cold, male-female, culture-nature, raw-cooked. 

Many writers have analysed media products using the idea of the binary opposition, but seeing the overall system as ‘ideology’ rather than ‘human consciousness’. 

HOMELAND: Insiders v Outsiders; Al Qaeda v US; Cruelty v Bureaucracy

Opening shots of the prison in Bagdad vs the smart office setting in the US.

The streets in Bagdad that are busy, uncontrolled and dangerous vs the calm, clean and organized streets in the US.

Methods of torture in the flashback scenes with Brody in comparison to the clean professional method that he is being interviewed in the US.

Todorov

The study of the narrative is called narratology. Narrative is the choice of which events to relate and in what order to relate them.

Todorvs theory can be applied on a large scale to easily filter out the different elements.Todory's theory can be used to filter out the intentions and results of the program. In doing so, one must include the situation at the beginning in the initial situation.

There are several limitations to his theory. With his theory it is not possible to follow a whole season. His theory is there to follow and not to analyze and understand too complex plots.

Examples from homeland:

In homeland the event of 9/11 relies on the whole shows. Only from the real life event people bring homeland in touch with the terrorism in these days.

Neale

The categorization of different structural elements and patterns which can be found in collections of stories are called different genres.

The use of Neal's theory is to explain different genres of video material. If a production has a very specific target audience, they look at the genre they need for the target audience. For example, attention must be paid to time of the show, lead roles, storyline, etc. 

Typical dramas of the characteristics are action, sometimes complex plots, a tragedy, a good and bad side. 

However, series often deviate from their own genre to become more significant. This makes it harder to figure out the genre in analyses. 

Example from Homeland:

Thriller/espionage/ drama- hybrid of genres, uses codes and conventions from all 3 genres

as genres more popular over recent years, as a result of 9/11 the spies 



Van Zoonen Feminist theory

Our current view for stereotypical gender roles comes from media such as movies. These stereotypical characteristics are exercised by roles. But it depends on what kind of political influences or ethical influences the role has. 

Thereby the men, patrichard, have a much bigger influence. so they can implement their ideas of gender. 


Example from Homeland:


Van Zoonen's theory with the Patrichard applies to Homeland. The woman is weaker than the male leadership position. Even though she has a gender-typical male job, going against the norms, men, for example her boss, are still in the position of power. 





Feminist theory: Bell Hooks

Bell Hooks theory is based on the opposite of Van Zoonen theory. Female roles do not lean towards patriarchal expectations because women are supposed to identify with the roles and therefore. roles are portrayed realistically. 




Example from Homeland:

The main female character, Carrie, defies the male preset norms for women. and thus provides room to identify with her. since she doesn't care much about her appearance, doesn't use makeup, and doesn't live in a typical marriage with children. 


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Tuesday 10th of January 2023
Characters: Carrie


Carrie Mathison
The lead protagonist in Homeland is carrie, a CIA agent. Our first encounter with her shows her in the field in Baghdad. 
Review this scene from start of Episode 1 to 3.06 minutes.
How is Carrie represented?
Fearless- dragged by the guards clinging on to retrieve the answers
Brave
Powerful- residing the guard in the prison 
Dedicated- persuasive nature of the conversation with the prisoner
Determined- pays money to go into the prison / close up on the money paid to get in to the prison.          Demanding- shouting over the phone at her boss- editing
Reckless- going into the prison, going against her boss
Manipulative- talks to the prisoner, bargaining with the prisoner about his family

How have they constructed a sense of the post 9/11 fear and anxiety? 
Mise en scene- sets up the 9/11 fear opening via the over the shoulder shot from the prisoner with the noose and gallows being set up for hanging of the prisoner- barbaric savage nature of the culture and positions the East against the civilised west. Editing further enforces this- go from run down Bagdad to the Glitzy Washington.


How is Carrie and the Middle East in the opening scene represented? Refer to the post 9/11 context in your answer. 
The middel East is chaotic represented. The streets aren't clean and the cars drive chaotic. Terrorism and violence is also a part of the life, as we see in the opening scene, where the prison guards hang a person. 

Carrie Mathison: Scene 2
Back in Washington and her representation subverts the conventional ideas about feminine roles and behaviours. 

Van Zoonen: feminist theory

Ideas of femininity and masculinity are constructed in our performance of these roles.

Gender is what we do rather than who we are and changes meaning depending on cultural and historical contexts.

The concept of Patriarchy may be applied to the ownership and control of television, the recruitment and ethos of television professionals and the representation of gender.

Feminist theory and homeland

The concept of Patriarchy may be applied to the ownership and control of television, the recruitment and ethos of television professionals and the representation of gender.

Carrie although strong and in a masculine role of leadership, has several flaws that make her unstable as a leader and strong woman, thus showing the power of patriarchy reinforcing subtly the inferiority of women to men in positions of power.



Feminist theory: Bell Hooks

Intersectionality refers to the coming together of gender, race, class and sexuality to create a white supremacist capitalist patriarchy which dominates media representations.

Women should develop an oppositional gaze that refuses to identify with characters that reinforce patriarchal ideology and politicises the case.

Feminist theory and homeland
The representations of the men in power fit with those suggested by Bell Hooks. How are the women represented and how are the men represented in Homeland?
Carrie embodies the oppositional gaze that refuses to conform to the expectations of women and provides a character to identify with that challenges the patriarchal ideologies.

Put it all together...
Compare and contrast the techniques used to represent Carrie Mathison in Episode 1 of Homeland. 
You could mention: 
media language
narrative 
Stereotypes 
Theory
structure of your response:
1. opening point in response to the question.
2. Clear example from the text (media language examples)
3. Explain how this creates meaning ( representations created, audience expectations)
5. link to context (what does it reveal?)

Carrie Mathison: Analysis Points
- Carrie represents a non-conventional and highly flawed hero.
- Not only is she a female who represents authority, a role usually taken by a ma she is also fiercely independent and has grit, determination and is happy to ignore the chain of command. She is a maverick who is her own worst enemy.
- This alienates her from authority male figures within the CIA.
- Carrie alienates herself further by refusing to follow procedure and lying to her mentor, all in the name of her pursuit of the truth.
- She has an obsessive attention to detail.
- In addition she is psychologically damaged.
- Carrie makes several decisions within the narrative that cause the audience to question her judgement.
- As a woman she is represented as highly emotional.
- She uses her sexuality as a tool.


The representation of Carrie in the first scene is as an fearless, reckless and manipulative woman. 

An example that illustrates this point particularly well is when she speaks to her boss on the phone. Against his request to stop she just goes on with her mission. in the prison she talks to a prisoner, who is in the prison because of terrorism. Not only does she ignore the instructions of a guard again, she also manipulates the prisoner with his family. What must be concluded from this is she is fearless and ignores every dangerous situation just to solve her mission. At the end of the scene she gets dragged away from the prison guards brutally, instead of interacting with the guards and following the instructions she is going against them. 

As a matter of fact those first three minutes create a clear picture of carrie and her character trait. She isn't a stereotypical woman. Most women are at home and look after their kids, not Carrie. Carrie isn't wearing a lot of makeup or is dressed up in short body shaping clothes.

The theorist Bell hooks applies to Carrie. She is not equivalent to the norms of men. The main female character, Carrie, defies the male presents norms for women. And this provides room to identify with her. Since she doesn't care much about her appearance, doesn't use makeup, and doesn't live in a typical marriage with children. 

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Tuesday 17th of January 2023
Brody analysis

Starter Task

What is the difference between an antagonist and an anti-hero? 

Who do you think have these two roles in Homeland and why?

An antihero or antiheroine is a main character in a story who lacks conventional heroic qualities and attributes, such as idealism, courage, and morality.

The characteristics of the antihero are often: isolation and loneliness (being an outsider) passivity and boredom (as opposed to active intervention/action) a critical attitude towards society. 
An antagonist is a person who actively opposes or is hostile to someone or something; an adversary

The antagonist in drama is the main opponent of the protagonist and the force of the narrative that hinders his action. The antagonist's role, in general, is to thwart the protagonist's intentions for action.


Nicholas brody

Marine Sergeant Nicholas Brody is the lead antagonist in Homeland. Brody is clearly disturbed by his experiences as a prisoner of war and the programme parallels his struggles in setting back in to a normal family life.

We first see Brody at 5.22 mins being 'rescued' by armed forces from apparent captivity for the last 8 years.


Review this scene from 5.22 mins.

What mise-en-scene choices have been made to make him look like a prisoner of war?

Body cam- gives the feeling of that actual soldats found him

Matted hair, lookes poor looked after- suggests he has been in the room for a while/ in this room like a prisoner

scars on his face 



As a man and a soldier, he would be the most traditional character to play the 'heroic role.
However, we see him very much from Carrie's perspective
We are going to look the scene (15.53-20.07) in more detail. 


Nicholas Brody: reunion scene

Make notes on the following:

Outline what happens in the scene. 

This scene shows Brody's reunion with his family. And his ceremony for being a hero of war. 

How is family represented in the reunion scene?

At the beginning the family doesn't look like they have any expectations for the reunion with their dad. But when Brody came in they were shocked, just like they just realized he is actually alive. the kid has a distance from him. His daughter, who actually met him back then, is happy to see him. On the other side his son isn't, because he was too small back then to actually recognise his dad. 

How does Brody react?

When Brody came into the room the situation felt awkward. Brody doesn't know what to say, he is standing up stiff. Brody wants to say anything, his lips are moving, but he doesn't know what to say. But only until his wife makes the first step with hugging him. She lets the ice between all of them break. After this hug he seems more likely to be awake.

After all the experience of the war, the death of his mom isn’t impacting him anymore, maybe as much it has been impacting him before being a prisoner of war. 

How is the vice president represented?

The vice president is represented as an egoistic man. He wants to look good in the media for the representation of his country but he actually doesn't care about the well being of Brody. 

How is Brody represented as a hero in S1 E1?

Family roles- awkward, distant, Lack of role, Silence in reunion at first emphasis the akwarness, broken by Jess and her love and emotions (traditional female) followed by Dana- loving daughter, thoughtful, caring, physical contact of a hug. Son- shot reserve of first meeting, lack of emotion and love, link to impact of war. Under roles in society and expectations.

Gender role via brody- hero-brave/male, reinforces tradition-dialogue, men in the audience of the soldiers, sound of traditional army band, flags to show the Tonalism patriotism. backdrop of army/airforce, planes etc... female as the wife/mother an addition to the male hero role

BRody- sickness- fear of return to family- steadicam footage reveals the unstable emotional state he is in. Close up on face, camera flash, PTSD, emotional in reunion speech, face is back to cultural norm- clean shaven, no marks on his skin, damage is hidden from war. later rev
Social context- the impact of war on society and family. Dialogue- 'where's mom" missed out on family life/death. De-sensitized to death.



Structure of your response:

  1. Opening point in response to the question.
  2. Clear example from the text (media language examples)
  3. Explain how this creates meaning (representations created, audience expectations)
  4. Link this to theory (who applies here)
  5. Link to context (what does it reveal?)

Tips:

4. Theory reference if possible-Van Zoonen- gender roles, Jess as wife and Men as protectors.

Brave. Brody as not vulnerable, performance of the roles of gender he isn't as masculine.

5. link to context- Social context-fear of the enemy within, need for military to protect, family reinforced as an important part of society, Historical- impact of war on families, 9/11 impact.

You could mention:

  • Media language
  • Narrative
  • Stereotypes
  • Theory

Guided Practice:

  1. The representations of Brody in the text initially are....
  2. This is seen in when...
  3. The representations in this sections establish .......
  4. Here we can see that the texts supports what .....This reflects the context of the time as it…

At the end:

Which sections are you missing from your response?

Colour code your writing using a different colour for each number.



Modelling

How is Brody represented as a hero in S1 E1?

Brody is a complex character and in the opening of S1, E1 of Homeland he is represented as both a war hero and victim.

  1. Initially Brody is presented to the audience as a Victim.
  2. This is evident in the scene where he is rescued, we see him being manhandled by the US military who have stormed a base and find him locked inside a room with a padlock and no outside light or access.
  3. The scene uses body camera footage to emphasise the danger of the situation through the unsteady camera movement. Whilst the use of low key lighting functions to add an element of mystery to the setting and situation. The dialogue of Brody using a raspy voice highlights the neglect he has suffered over his capture by representing his ill health in the situation emphasises his role as victim.
  4. Here we see that Van Zoonen's theory of representation can be applied to the character of Brody and the situation that is being portrayed. Brody is presented as the male hero who has suffered physically at the hands of terrorists, reinforcing the traditional role of the male military hero.
  5. In this scene we see the contextual references and impact of the events of 9/11 and the following war on the military and their families as a result of the War on Terror that is still being felt in society 10 years later.

Task
How is Brody represented in the reunion scene?

1. At the reunion scene Brody is presented as shy, traumatized and unsure.

2. This is seen when he first comes into the room with his family.When Brody came into the room the situation felt awkward. Brody doesn't know what to say, he is standing up stiff. Brody wants to say anything, his lips are moving, but he doesn't know what to say. But only until his wife makes the first step by hugging him. She lets the ice between all of them break. After this hug he seems more likely to be awake. The death of his mom isn’t impacting him emotionally.

3. The representation in this section establishes that Brody saw a lot of offending scenes during his time as a prisoner of war. Death doesn't affect him anymore. As we can see when he doesn't have any emotions for his mom's death. And helps the audience to understand the gap of time he had with his family.

4. The theorist who links to this scene is Van Zoonen. Brody isn't breaking down mentally after all those years being locked away. He is emotionally cold and death doesn't affect him anymore. and typical stereotypical for men he isn't crying.

5.




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Tuesday 24th of January 2023
Brody analysis

Dirt marking

Which sections are you missing from your response?

Colour code your writing using a different colour for each number.


Structure of your response:

- Opening point in response to the question.

- Clear example from the text (media language examples)
- Explain how this creates meaning (representations created, audience expectations)
- Link this to theory (who applies here)
- Link to context (what does it reveal?)


Representation theory: Gauntlett and identity 

The media have a complex relationship with identities.

There are many diverse and contradictory messages that individuals can use to think through their identity and how to express themselves.


Theories of Identity - Gauntlett

The media have an important but complex relationship with identities. In the modern world, it is now an expectation that individuals make choices about their identity and lifestyle. Even in the traditional media, there are many diverse and contradictory media messages that individuals can use to think through their identities and ways of expressing themselves. For example, the success of popular feminism' and increasing representation of different sexualities created a world where the meaning of gender, sexuality and identity is increasingly open. The online media offer people a route to self-expression, and therefore a stronger sense of self and participating in the world by making and exchanging. These media are places of conversation, exchange and transformation: 'a fantastically messy set of networks filled with millions of sparks - some igniting new meanings, ideas and passions and some just fading away! People still build identities, but through everyday, creative practice. However, this practice would be improved by better platforms for creativity.



Representation theory: Gauntlett and identity and homeland 
Homeland offers diverse and contradictory representations that audience can use to think through their identity as they have the time and resources to develop implied representations through Carrie and Brody.
Homeland offers local representations that resonate with international audiences. Middle East and US representations. This increases the diversity of representations to reach an international audience,
Homeland was successful in several international locations as a series.
This assumes the power of the audience as active agents so may underestimate the power of media conglomerates in shaping culture and identity.



Representation theory: Hall

Through stereotyping and ideology those in power try to fix the meaning of a representation to a preferred reading that suggest there is only one true meaning.
Meaning is created by a representation but it is what is present and also absent and different that create the representation.
Stereotypes and how they are constructed should be pulled apart and deconstructed to identify what they tell us about ideology


Theories of Representation - Hall
Representation is not about whether the media reflects or distorts reality, as this implies that there can be one 'true meaning, but the many meanings a representation can generate. Meaning is constituted by representation, by what is present, what is absent, and what is different. Thus, meaning can be contested.
A representation implicates the audience in creating its meaning. Power - through ideology or by stereotyping tries to fix the meaning of a representation in a preferred meaning. To create deliberate anti-stereotypes is still to attempt to fix the meaning (albeit in a different way). A more effective strategy is to go inside the stereotype and open it up from within, to deconstruct the work of representation.



Representation theory: Hall and Homeland

Homeland attempts to create a dominant meaning through the use of ideology of East vs West to support the preferred reading of those in power (US).

Looking at Carrie, her representation is created through a lack of elements in her characterisation, closeness, compassion, success outside of her job.

Looking at the stereotypes of Carrie and the Middle East that are created, what does this tell us about the ideology that is created within the programme and wider industry.



Nicholas Brody: war hero

As mentioned, Brody fits the traditional role of hero.
Carrie rejects this view of Brody and whilst the audiences see him as a heroic character in E1, they do see enough of his behaviour to join Carrie in being suspicious.
So the audience have to reject the reassurance a conventional hero can provide. As an audience - we are positioned. We are shown certain viewpoints and given enough information to see him from a specific perspective. (To understand this, we need to look at the episodes following episode 1.
Sergeant Brody's Islamic 'turn' is represented as a precursor to becoming a terrorist. While Islam may provide Brody with therapeutic comfort, he is a Stockholm - syndrome convert, coerced into his Islamic faith and its associated terrorist politics.
Homeland exploits the viewers initial surprise associated with seeing a white US Marine worshipping Allah in his garage by anticipating and refuting the stereotypical assumption that Brody's faith is evidence that he is a terrorist.
Of course we learn that he is in fact a terrorist.



Nicholas Brody war hero
Watch the extended trailer for Homeland Series 1 on Youtube
How does the trailer create two different representations of Brody as both a possible hero and a possible villain?
How does the trailer create doubt in the heroic nature of Carrie's character?
https://www.youtube.com/watch?v=KyEmS3wRPCQ



Nicholas Brody: class analysis 

1a. How does the surveillance set up by Carrie allow the audience to identify and sympathise with his character and the circumstances on a more human level?
1b. How does it 'position' the audience? What values and ideologies does this act of surveillance represent?
2. Do you think Brody is difficult to like? What values & ideologies does he represent?
3. Why are flashbacks used in episode 1 and how do they attempt to manipulate the audience into thinking a certain way about Brody?


Carrie meets Brody

Analyse what information the producers are trying to get across to the audience in this scene.

What mise-en-scene choices are key? Lighting?

What shot types are used?

How do they use flashbacks to give information to the audience?

How is Carrie represented?

How is Brody represented?



Put it all together…
Compare and contrast the representations of Nicholas Brody in Episode 1 of Homeland.
You could mention:
Media language
Narrative
Stereotypes



Brody: Analysis points 

Find an examples within S1 E1 to support each of these analysis points.

What techniques do they use to represent her in this way? This might be a quote from a character or a key scene.




Put it all together… Compare and contrast the representations of Nicholas Brody in Episode 1 of Homeland 
Structure of your response:
Opening point in response to the question.
Clear example from the text (media language examples)
Explain how this creates meaning (representations created, audience expectations)
Link this to theory (who applies here)
Link to context (what does it reveal?


For 4: Theory reference if possible-Van Zoonen- gender roles, Carris as fearless, determined, insightful. Brody as deceptive and untrustworthy. Roles are not that of stereotypes.

For 5: Link to context- Social context- fear of the enemy within, hidden fears, women moving out of traditional roles and taking the lead in roles previously assigned to men.



Brody analysis: How is a Brody represented as a hero in S1 E1?

Brody is a complex character and in the opening of S1, E1 of Homeland he is represented as both a war hero and victim.

  1. Initially Brody is presented to the audience as a Victim.
  2. This is evident in the scene where he is rescued, we see him being manhandled by the US military who have stormed a base and find him locked inside a room with a padlock and no outside light or access.
  3. The scene uses body camera footage to emphasise the danger of the situation through the unsteady camera movement. Whilst the use of low key lighting functions to add an element of mystery to the setting and situation. The dialogue of Brody using a raspy voice highlights the neglect he has suffered over his capture by representing his ill health in the situation emphasises his role as victim.
  4. Here we see that Van Zoonen's theory of representation can be applied to the character of Brody and the situation that is being portrayed. Brody is presented as the male hero who has suffered physically at the hands of terrorists, reinforcing the traditional role of the male military hero.
  5. In this scene we see the contextual references and impact of the events of 9/11 and the following war on the military and their families as a result of the War on Terror that is still being felt in society 10 years later.


Guided practice 

Structure of your response:

  1. Opening point in response to the question.
  2. Clear example from the text (media language examples)
  3. Explain how this creates meaning (representations created, audience expectations)
  4. Link this to theory (who applies here)
  5. Link to context (what does it reveal?)

Guided Practice:

  1. The representations of Brody in the text change to....
  2. This is seen in when....
  3. The representations in this sections establish .......
  4. Here we can see that the texts supports what ..
  5. This reflects the context of the time as it..

Self assessment 

Which sections are you missing from your response?

Colour code your writing using a different colour for each number


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Tuesday 31th of January 2023
Homeland: Representation
Carrie mental illness media language:
touching her hair 
restlessness
taking medication 
always folding her arms in front of her body
In the opening of homeland mental illness is represented as something that affects your life in different ways.
Postmodernism: Baudrillard
Postmodernism is the idea that society has moved beyond modernism- either modernism in art and culture (early 20th century) or modernism in the sense of belief in progress, which dates back much further.
Baudrillard argued that, as modern societies were organised around production of goods, postmodern society is organised around 'simulation'- the play images and signs.
Previously important social 


Representation theory: Gauntlett and identity














Carrie has two sides. When she is on her own she can't rest at all. 


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  1. 10/1- Very good analysis and build up of the representation created. T: 4. Link this to theory (who applies here)

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  2. 16/1- Great analysis and exploration of representation. T: 2. Clear example from the text (media language examples)

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